Synthetic Cubism
Synthetic Cubism is the subsequent stage of cubism, from approximately 1912 to 1914, known for its simplified forms and vibrant colours.
The Cubist movement is typically split into two distinct phases: Analytic Cubism then Synthetic Cubism.
In this new phase, Synthetic Cubists explored collage techniques, incorporating newspaper prints and patterns into their work, departing from the multi-perspective approach of Analytic Cubism and opting for more ‘flattened out’ imagery, removing the earlier references to three-dimensional space.
Synthetic Cubism featured a broader colour palette, simpler geometric planes, and more recognisable subject matter. To achieve their artistic goals, the Synthetic Cubists ‘synthesised’ various mixed media through collage and their distinctive papier collé technique. It’s generally believed that Synthetic Cubism was most popular around 1914, coinciding with the outbreak of World War I, which led many French artists, including Braque, to leave their studios and join the war effort.
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We collaborate with artists to create both limited editions and works on paper.
A limited edition is a set number of similar or identical artworks. The size of the edition denotes the total number of artworks that will ever be made, underscoring their value.
Framing options vary for each piece and are listed on the individual artwork pages. Our standard glazing offer is a minimum 90% UV acrylic plexiglass, or you can upgrade to an anti reflective Optium museum plexiglass.
Yes, 100%. We work directly with our artists to create editions that accurately represent their body of work. Additionally, every artist personally reviews and approves their final editions.
Every artwork is signed or stamped, and individually numbered. You will also receive a stamped and numbered certificate of authenticity.
No—the copyright is not transferred to the purchaser of the edition.
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